Suddenly it’s dark when I finish work and as I walk through El Cobre, the neighborhood reveals a little of its nocturnal self. The change in the time, abrupt and artificial, appears to have a very real effect – there are people around now as I go on my way that I’ve never seen before, stepping out of alleyways and hanging around in doorways. Of course, they were there all along; it’s my routine that’s been shifted forward, into the darkness – mine and anyone else who works, or who has any reason to be in a particular place at a particular time. Most of the new faces are lined; the older generation around here, having no such obligations, live the way their grandparents would have – by the sun.
The change of hours provides a glimpse of our own artifice – the gridwork of language and number that we graft onto the world. Twice a year, a little slip between clock time and real time, a tiny tremor along the fault line that runs between the two and we have an hour stolen from us, or we get this extra one that jars at first before settling in.
The gable wall of a crumbling old house glows green, bathed in the light of the pharmacy cross; I think it is green, and wonder why I’ve never noticed in the daytime, till it flickers. Further up toward the main road more flashes of light against a wall, this time emanating in horror movie fits and starts from a welder’s workshop, frankenstein sparks flying and filling the night outside with the visual rhythms of an electrical storm. More