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El Fuero Interno

In Plenary, Production, Uncategorized on August 3, 2014 at 5:59 pm

El Fuero InternoIt’s bright and on the inside of my sunglasses, the lenses are dappled with droplets of sweat. I am running away from the island I have shared with you, on the straight causeway that connects it to the coast: a brilliant, broiling Atlantic void on my left and the great, grand Strait on my right – that tuna-stuffed Styx, the dazzling blue Rubicon that made this, to the ancients, the ultimate dividing line: the edge of the world, the coast of everything.

Tarifa wobbles in the drops – little playa chica and its No Shitting sign, the tuna sculpture,  the ludicrous but likeable outline of Santa Catalina, a derelict mansion.  I flick my head to dislodge the drops and get a better view. It’s all still here, in all its glare and glory – the ocean, the hills behind the town, the pink dome of the St Mateo church. The castle and the modern port with its rotating ferries, the tumbling roofs of the old town, the schools and the fish factory and the holiday lets further up the beach. The cargo ships that clutter up the sea lanes and the huge dune at Valdevaqueros where the kite surfers congregate.

I’ve done a couple of kilometres and I’ll give it another couple. Then I’ll go home. I’m running so that I might stay alive a little longer and live a little better while I’m at it. Keep the blood pumping and the pump strong. I’m running so that I can write, running to get endorphins flowing and synapses firing. More

Las Instantáneas

In Presentation, Uncategorized on June 2, 2014 at 8:42 am

Las Instantáneas

“The man is out there again”.

She means the man who walks his dogs behind our house each day, in the morning or early afternoon. She has told me about him on a number of occasions but for whatever reason I only saw him myself for the first time a few days ago. I stand on the patio bench and peer through the grille of the upper wall. Two leads for two small dogs who trot along peaceably, pausing here and there, as dogs do, to sniff or mark a pole, and always, alongside them or just behind and keeping them company all the way with perfect, leash-free discipline, a tabby cat.

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A white horse in the long grass that backs the beach. It would take a master to paint the scene above it; the hazy veil of a dirt grey horizon thins low in the sky, revealing a creamy ripple of higher cloud that expands as it arches overhead – little tufts pulled apart like the fibres of a cotton wool roll, white as the animal grazing. When I pass by again, some minutes later, the scene is gone, the clouds stage left as if dragged there by jaded stage hands. The show is over. It rains heavily the following morning and afterwards the horse isn’t even a horse, but a white yacht gleaming in a spot of sunlight against a charcoal waterline. More

El Tesoro

In Practice, Production on May 8, 2014 at 7:47 am

El Tesoro

Trundling toward Seville with a bootful of booty – a creamy blue cheese from Galicia, a jar of blue cheese cream from Asturias, a jar of apple jam, a jar of orange jelly, a jar of strawberry jam, a jar of quince and orange paste, a jar of quince and lemon paste, a jar of chilli chutney and a small bottle of nispero liqueur, the maker of which didn’t so much recommend to us as warn us about. Two bottles of hand-picked olives in deep brine and three bottles of Extremaduran wine, a fridge magnet, two porcelain beer mugs and, wrapped up carefully in a straw hat, the most delicate cargo of all: six eggs from the finca we’ve just left and the chickens we’ve just waved goodbye to. Now all we have to do is get them home, just over four hundred kilometres away.

The project does not have an auspicious beginning; after just a few minutes we drive through a small town so sleepy and rural that even the main street is cobbled. Mis huevos, I complain as the car rattles through. We stop afterwards, outside a mammoth industrial complex of some kind that caught my eye on the way here yesterday – four huge silos and more at the other end next to a concrete dome the size of a small moon. At least half a kilometre in length, the plant consists of enormous pipes and ramps, a thousand stairwells, chutes and chimneys in all sizes and the constant noise of process. More

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